In 1941, architectural critic Lewis Mumford wrote the following piece in his seminal book, The South in Architecture:
“Let us be clear about this, the forms that people used in other civilizations or in other periods of our own country’s history were intimately part of the whole structure of their life. There is no method of mechanically reproducing these forms or bringing them back to life; it is a piece of rank materialism to attempt to duplicate some earlier form, because if its delight for the eye, without realizing how empty a form is without the life that once supported it. There is no such thing as a modern colonial house any more any more than thee is such a thing as a modern Tudor house.”
“If one seeks to reproduce such a building in our own day, every mark on it will betray the fact that it is a fake, and the harder the architect works to conceal that fact, the more patent the fact will be … The great lesson of history—and this applies to all the arts—is that the past cannot be recaptured except in spirit. We cannot live another person’s life; we cannot, except in the spirit of a costume ball… Our task is not to imitate the past, but to understand it, so that we may face the opportunity of our own day and deal with them in an equally creative spirit.”
His poignant words remain true today as 65 years ago. Architecture must celebrate its time and place. Instead of recreating Craftsman homes, Mediterranean mansions and Spanish villas, we must define a new language of creation born out of today, sensitive to the past and with an eye towards the future.
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